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In their prime from 1973 to 1993, Aerosmith was arguably the best rock band in the world. The most difficult part of judging a band with Aerosmith’s longevity is their large body of work.
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For better or worse, it has everything you would identify with an Aerosmith album. It’s loud, brash and proves that vocalist Steven Tyler can still yelp (and occasionally sing), the dueling guitars of Joe Perry and Brad Whitford can still find big blues-based riffs, and drummer Joey Kramer still hits hard, keeping pace with bassist Tom Hamilton.īut there are only so many original combinations of blues riffs and sexual boasts one can deliver in a single lifetime. The truth is Music from Another Dimension is all of that. It’s not that Aerosmith’s first studio album of all-new material in 11 years doesn’t rock. Mixed in, however, are a few gems that might be considered worthy additions to the band’s catalog were they offered without such grand promises. Rather than offering previously unimaginable tones and visions, “Music From Another Dimension” delivers riffs, clichés, solos, yowls and a virtual banquet of the same one-dimensional tropes Aerosmith has been offering for years.
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And, in a sense, as an overall piece of product, Music from Another Dimension is no worse than Nine Lives. Nobody breaks the bank attempting to make a rock album thats everything to everyone and Aerosmith sounds entirely oblivious to this state of affairs, carrying on like it was 1997. If Aerosmith’s definition of the sound of “another dimension” is indeed true, the world is a much less mystical place than we would like to believe. Simply put, nobody makes albums like this any more.